The Cast

Jamie FeketeJamie Fekete :: Guitars

At his happiest after a long nap in an obscure suburb of North Birmingham, accompanied by a bible of cryptic crosswords, slippers, a regular supply of rather scary looking Hungarian meats and the sounds of a seasoned flamenco singer who smokes 60-a-day, Jamie’s life can only get better if nipping to a shady backstreet pool establishment to discuss the finer points of the darts or Douglas Adams characters.

Also squashing an English and Philosophy degree in between crosswords and the snooker, Jamie put his degree to good use, developing an admirable technique and ear for flamenco, accompanying dance classes in the Midlands alongside Ana Garcia, now performing a regular solo spot at the Ikon Gallery in Birmingham.

Playing guitar since the tender age of ten, for which we can pin most of the blame on his Dad, Jamie also plays in the rhythm section of the much admired and relatively bonkers Birmingham-based 15-piece band, The Destroyers.

Enjoys .. curious logic.  Dislikes .. Kenny G.


Sam Slater :: Guitars

Afflicted by a mildly worrying obsession in following West Bromwich Albion to such sun-trap destinations as Scunthorpe, Middlesbrough and Wigan on a wet Tuesday night in late November, Sam does little to justify his sanity by taking equally strange voyages to distant corners of Eastern Europe on a lonely hunt for vegetarian meals and real ale.

Somehow acquiring a degree in History in 2004, Sam was delighted to make no use of this whatsoever, possibly due to getting locked in the library during one of his occasional visits, although does still owe £63.57 in library fines for hiding books on Mussolini.

Sam was taught the guitar by composer and guitarist Bryan Lester, forming 33.3% of Trio Gitano with Jamie back in 2000. As well as an affinity for flamenco, Sam is very attached to improvisation, Jazz and Indian music, also performing with the Indo-Jazz fusion group Marva, led by Tabla player Manveer Singh.

Along with Percy, he directs creative music producers Mubu, and also works with Ana on various flamenco productions through Flamenco-Birmingham.

Dislikes .. Wolverhampton; Posh Tories


Percy Pursglove Percy Pursglove :: Double Bass | Trumpet | Cajón

Aside from possessing the finest name in the Western Hemisphere, Percy is best known for spending 43% of his annual income in Starbucks, and once managing to consume 18 fried eggs, care of the Harvester’s much acclaimed ‘ham and as many eggs as you want’ deal.

Despite our blunt refusal to pay him tripling fees, Percy still insists on playing double bass, trumpet and occasional cajon, although alas not at the same time.

A walking encyclopedia of upside-down jazz theory, he is in much demand for his highly regarded playing – from appearances with the likes of Elbow, Amy Winehouse, Jamie Cullum and the BBC Big Band, to a long list of stellar jazz names – John Hollenbeck, Hans Koller, Jim Mullen, The Ellington Orchestra at Birdland …

After graduating from Birmingham in 2004, ‘The Glove’ studied for a year in New York at the New School for Jazz, returning to our shores in 2006,  lecturing in jazz at Birmingham Conservatoire for the past four years, to the great relief of Baristas throughout the UK.

Recently, Percy formed his own organ trio/quartet, working closely with drummer Andrew Bain, adding several international collaborations featuring saxophonist Jon Irabagon and trumpeter Peter Evans, and UK-based musicians Malcolm Edmonstone, Ross Stanley and Mike Williams.

He co-directed the first Harmonic Jazz Festival in Birmingham this March, featured in the June 2010 edition of Jazzwise, and apparently even made a fleeting appearance in Inspector Morse many moons ago!

:: webpercypursglove.com


Holly Jones Holly Jones :: Flute | Alto Flute

Having kept gourmet cake and biscuit makers in record profits for the past decade, Holly is best known for having smashed all current records on file in June 2007 for ‘most jaffa cakes consumed in a single rehearsal’. Not resting on her laurels, she enjoys beating her own record on a monthly basis.

After famously talking a hand-gliding instructor to a near-death experience somewhere above Greece at 1500ft (despite the fact he didn’t speak English), Holly was unanimously presented with the coveted-role of ‘keeping the driver awake en route from distant late night gigs’, a position she holds and excels in to this day.

Holly studied classical flute at Birmingham Consevertoire, where she developed her interest in cake, jazz and improvisation.  Since her first year at music college, she was flautist for Svengali, a Midlands-based jazz funk-fusion band, taking in gigs at Ronnie Scotts with the likes of Guy Barker.

Since coming to Birmingham, Holly has performed and recorded with a number of fine bands and appeared on albums ranging from breakbeat through to indie-pop.  In 2007, she headlined at the Fuerteventura Jazz Festival with ‘The Players Sextet,’ alongside top Midland ‘ex-pats’ Sam Pearce, Roger Perks and Steve Sherriff, and earlier this year toured the UK with a group of Kosovan musicians and storytellers in a new commission from Ulfah Arts.

* Easily confused with …

Holly Jones, ‘model of the future’
Re-Elect Holly Jones, ‘a voice for North Carolina’


Louis Robinson Louis Robinson :: Violin

Often found strolling around in nonchalant fashion three minutes before a gig in search of his violin and a pair of trousers that might fit, Louis will glide gracefully onto stage in the nick of time, only to discover he turned up two days late and forgot to put his trousers on after all.

Owner of a fine collection of hats, several tasteful flourescent shirts, a rather enigmatic beard and a curious habit of getting in to trouble with Mrs Louis, our much-loved fiddler also enjoys a good snooze, to the point of dropping off during one of our recent gigs, albeit in a piece he wasn’t playing on.  It doesn’t say much for the entertainment value of the rest of us.

After many scratchy years of toil in the wilderness of mid-Wales, Louis attended Birmingham Conservatoire to study classical violin, where he developed an interest in folk, jazz and various world musics.  After two years he swapped over to study composition, graduating in 2004, setting up an ensemble dedicated to playing the music of eastern Europe, the most excellent Destroyers, which he currently leads and writes for.

Last spotted cycling around Birmingham in rush hour on his phone being chased by the Police.

* Easily confused with …

Louis Robinson, a military dog trainer in Pheonix
Louis Robinson, Atlanta singer-songwriter
Louis Robinson, an evolutionist, naturally


Tom Chapman Tom Chapman :: Cajón | Percussion

Tom joined our merry band in early 2009, after  Cheltenham Jazz Festival Director Tony Dudley-Evans presented the opportunity for us to work together at the 2009 Festival.  Months passed and we were unable to shake him off, disturbingy fitting in all too well with our alliance of crackpots.

Spending most of his time explaining how he has made a career out of banging a hollow box with a guitar string stuck inside, Tom’s cajón talents are rather splendid, prompting leading Cajón maker Paolo De Gregorio to send him a few for free. (Click here to find out a little more about the Cajón, in case you still think it looks like an upside-down speaker).

Graduating from Birmingham Conservatoire’s jazz degree course in 2006 with First Class Honours, Tom now plays predominently with the fine Birmingham based folk ensembles The Old Dance School and the Urban Folk Quartet.  Folking aside, his jazz project, Found Objects, features Percy on double bass and the brilliant Neil Yates on trumpet.

A little known fact to many, but the rumours are indeed true – Tom was the Gorilla emotionally drumming to his idol, Phil Collins, for the famous Cadbury’s Dairy Milk advert.

:: webtomchapman.net

* Easily confused with …

Tom Chapman, a dangerous jockey
Thomas F Chapman, philanthropic former-Chairman of Equifax

 

Joelle Barker

Joelle Barker :: Cajón | Percussion

Despite since twigging she is a little partial to the occasional pint of Rum after gigs, we were very lucky to catch Joelle off-guard one afternoon eating a large omelette in Moseley and coerced her into joining the band in spring 2011, after Tom embarked on one of his many folky tours.

Joelle plays a range of percussion and drums, specialising in world percussion, and is often found all over the UK and Europe playing on many varied projects.

After graduating in Music from SOAS (University of London) in 2004, she couldn’t resist returning to the lure of the bright lights of the Birmingham homeland, and has since played across many genres with a wide range of fine musicians, including Yasmin Levy, Celloman, Ruby Turner, Attab Haddad, Manveer Singh’s Marva and our good friend Frank Moon.

She has played throughout the UK and internationally – from India, America, Poland and Finland to Glastonbury, Barbican, Bestival and Maidavale.  She also stretches herself in all sorts of perculiar directions teaching dance and percussion workshops.

Joelle is endorsed by the Cooperman Drum Company.

* Easily confused with …

Joel Barker, Independent Scholar & Futurist
Jo Barker, a Tory


Ana GarciaAna Garcia :: Flamenco Dance

Born in Valdepeñas, La Mancha (a very windy part of Spain where they’re all a bit bonkers), Ana is now one of the most eminent flamenco dancers in the UK (just don’t tell her she has a Brummie accent).

She began her dance studies at an early age, attending classes at her local dance school, before taking exams in Classical Ballet and Spanish dance at Malaga’s Conservatoire.  Ana studied with some of the great names of Flamenco, such as Maria Magdalena, Ciro, Adrian Galia, Rafaela Carrasco, Belen Fernandez, Belen Maya and Eva La Yerbabuena in Madrid, Seville and Jerez.

Alongside Felipe de Algeciras, Ana founded the successful UK-based Flamenco dance company ‘Alma’ in 2002, featuring dancer Carmela Romero, guitarists Tito Heredia and Ramón Ruiz, and singers Jasmine Villalobos and La Leo.

More recently, Ana has collaborated with leading European director Calixto Bieito as a choreographer for the play La Celestina; worked at Montpellier Opera House, France, choreographing the dance of Salome in a ground-breaking twin production of both the Strauss and Mariotte versions of the opera; and also spent several months working on further dance and choreography on operatic productions in Germany in early 2007.

* Easily confused with …

Ana Garcia, NBC Los Angeles’ veteran reporter
Anna ‘Fantastic’ Garcia, a superstar


Bryan LesterBryan Lester :: Guru

Inventor of the piano and spiritual leader of music in the west, Bryan is a rather talented guitarist, pianist, composer, arranger, teacher, and purveyor of fine quality stews.

Currently studying Indian music in the splendid shape of the Ghatam and Tabla, Bryan worked tirelessly with Trio Gitano between 2000-2005 as Musical Director, and continues to write and arrange for guitar and piano, commissioned by the Birmingham Music Service to compose a work for classical guitar ensemble in 2008.  The nifty-fingered Lester has also arranged several of his works for TGC, whilst also working with the equally unhinged and talented accomplice Keith Cole in both performance and composition.

In his many hundreds of years on the planet, Bryan first studied at the Royal Northern College for Music, with his first professional work in a series of concerts with the Halle’ and the BBC Northern Symphony Orchestras under Sir John Barbirolli.  He also toured as a guitarist and lutenist with the Northern Consort of singers.

His first performance as a guitarist/composer was in a concert with pianist John Ogden and the percussionist James Blades for the Manchester Institute of Contemporary Arts, and has since gone on to work as a recitalist worldwide, in concert, recording and on television and radio.  He has also published a series of books on guitar technique, inspired by the didactic approach of Bartok’s ‘Mikrokosmos’ for piano, and was a senior lecturer in experimental music and music in film in Kent.

In the 1990′s, Bryan’s music was featured in the ‘Prestige de la Guitare’ concert series in Brussells, given by the Los Angeles Quartet, the Assad brothers and Eduardo Isaac, who also recorded Bryan’s Jazz Fugues for guitar.

In more recent years, until 2007, Bryan concentrated his energies in to The Birmingham Schools’ Guitar Ensemble, a group he founded and ran for young advanced players for over 20 years, nurturing many now-professional guitarists.  He now spends much of his time composing, eating Apple Strudel, and musing over new and challenging ingredients for his bewitching cauldron of stews.